The distinction between the possible spellings of a note will be important later as we construct scales and build chords. B flat and A sharp are also enharmonic equivalents. C sharp and D flat from our last example are enharmonic equivalents. The term for having different spellings for one sound is known as “ Enharmonic equivalents”. So a step up from C, for example, is C sharp and a step down from D is D flat – even though we end up on the same note. A sharp raises any note by one step while the flat lowers it. The reason that a note can have two different names (or spellings) is because of how sharps and flats work. ![]() 7 keys named from A to G and 5 black keys named either with sharps or flats. So the complete musical alphabet consists of 12 notes. And if we want to get to the note below B, we simply put a flat next to it and we get to the note B flat: So if we take the note E and put a flat next to it, we get to the black key below it and we call it E flat. On the other hand, the job of the flat is to lower a note by one piano key (that is, one step). ![]() If we take the note F and put a sharp next to it, we get to the note above it and we call it F sharp: So if we take the note C and sharpen it, we get to the black key above it and we call this note C sharp. ![]() The symbol is similar to the hashtag but not exactly the same: The job of the sharp is to raise a note by one key (or we can say, by one step). The black keys are named using one of 2 symbols known as accidentals: the sharp or the flat.
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